#loudness war

Does the loudness war make modern music objectively worse, or are older masters just romanticized for being "quieter"?

Does anyone else think dynamic range compression is ruining modern music mixes?

Do dynamic range compressors ruin modern mastering just for the sake of loudness?

Is the "loudness war" over in music production, or are modern masters still brickwalling dynamics for streaming?

Have high-res audio streaming services actually made music worse for average listeners?